YOLI CASTING SIDE #1

Title of Script: "A Kiss To Build A Dream On"
Draft of Script: Full White
Writer of Script: Rina Mimoun
Date Script was Written: July 7, 2005
Script Transcribed By: Gaby
Pages of Script: 12-14

NOTE: This transcript has all the scene descriptions, camera movements, and all other stuff that was in the casting side that choirmom got and posted on Fanbolt in their Sneak Preview board which was found by me in the summer of 2005.

SCENE #11: CONTINUED: (4)

NURSE
Actually, we’ll probably want to do a PET scan instead of a CT.

AMY
What does the PET scan do? What does PET scan even mean?

Amy starts jotting down notes - - something she’s clearly been doing all summer long. Rose looks mildly annoyed by it all.

NURSE
It stands for Positron Emission Tomography. You can talk to your dad about it, but basically, if there’s any fibrous tissue left over from the cancer, the PET scan will be able to tell us if it’s active or not.

AMY
And how long will that scan take?

ROSE
Oh for heaven’s sake. . .

NURSE
We won’t be able to do it for at least six weeks. Call Doctor Chao. She’ll go over everything you need to know.

AMY
Okay. Thanks. You ready Mom?

ROSE
I’ve been ready for ten minutes.

Amy smiles patiently, which only irks Rose more.

AMY
Then let’s hit it.

As Amy begins wheeling her mother away, we PUSH IN on Rose, exhausted and looking somewhat harder than last year . . .

SCENE #13: INT. BRIGHT’S APARTMENT. DAY. (D1)

Bright is leading a ridiculously hot girl, YOLI, around the half-furnished apartment. She’s clearly more interested in Bright than the apartment.

BRIGHT
The rooms are both about the same size, but there’s only one bathroom, which means we’d have to share - -

YOLI
I have no problem with that.

She smiles. He smiles. Are they flirting?

BRIGHT
So what kind of name is Yoli anyway?

YOLI
Greek. And I know it’s a cliché, but I actually make an incredible falafel. I could show you, if I lived here.
(throwing the sex eye)
Or, even if I didn’t . . .

BRIGHT
I’m actually thinking of becoming vegetarian for a while. But thanks.

Yup, still Bright. As he goes back to her application:

BRIGHT (CONT’D)
Well, this all looks good. You don’t smoke, don’t listen to smooth jazz and you don’t mind if I leave the seat up. Which just leaves one last question.

YOLI
Oh yeah? What’s that?

Bright pulls a postcard out of his back pocket, hands it to her.

BRIGHT
Can you read what’s under that scribble?

YOLI
Huh?

BRIGHT
See, I got this postcard from my friend - -

YOLI
(inspecting the card)
Oo, a Jamaican cruise. How fun - -

BRIGHT
Yeah, that part doesn’t matter. We’re focusing on the scribble and what’s written underneath it.

YOLI
I just see a “Hi” and smiley face.

BRIGHT:
Obviously I can see the “Hi” and the smiley face. I’m talking about the scribble. Like she was starting to write something, then scribbled it out.

YOLI
It just says: Hi. SmileyFace. Hannah.
(then)
Who’s Hannah?

Bright sighs, taking the postcard back.

BRIGHT
I gotta tell ya, I just don’t see this working out, Yoli. But thanks.

A shocked Yoli lets herself out, as Bright continues to torment himself over Hannah’s scribble. Nice to see him tormented. . .

SCENE #13: INT. GINO CHANG’S RESTAURANT. NIGHT. (N1)

TIGHT on a fork clanging against a water glass, signifying a toast is on the way. PAN UP from the glass to find Abbott, relishing his moment:

DOCTOR ABBOTT
Friends, family, recent additions, we are here tonight to celebrate a truly unique couple.

PAN ACROSS the table to find: Amy, Bright, Rose . . .

DOCTOR ABBOTT (CONT’D)
Commitment has become somewhat of a dying art form. Thus, it is rare indeed to find two people who are willing to throw caution to the wind in these uncertain times.

Andy, Jake, Nina . . .